Vocal coach Charmaine Brown shares tips and strategies to get the most out of your voice.
Do you ever find yourself struggling with the low notes in a song? Do you ever put a song in a lower key than the original recording (so that the high notes are manageable for your voice!), but then you end up bottoming out in the low parts? If so, you’re in good company! That’s most of us!
Do you ever feel pain in your throat after you sing? Do you end up with a hoarse, raspy voice
Sing along as Worship Vocalist coach Charmaine Brown takes you through a set of vocal warmup exercises to get your voice ready to sing worship songs! This warmup will be especially useful if you’re warming up together as a group before a worship rehearsal or service because it covers both male & female ranges and warms up the resonators you will need for singing worship songs with power, ease and a contemporary-sounding tone!
Mix voice is one of the most complex vocal techniques for most singers to grasp (so if you feel confused about what it is—you’re in good company!), but hopefully after watching this video, you’ll understand it better!
Watch and sing along with vocal coach Charmaine Brown as she takes you through a vocal workout and gives you a 3-step plan to ensure that you both SOUND better and FEEL better when you sing this year—a SUREFIRE plan (ie. certain to succeed)!
Developing better breath control will help you to not run out of breath (especially for those of us who move around a lot on stage!), help improve your tone, give you more stamina, AND… help you hit those challenging high and low notes!
We all know we should warm up our voice before we sing… but so often we don’t know what to do or we just don’t take the time to do it properly. I want to teach you the what, why and how of warming up your voice on a Sunday morning so that you can hit the high notes, eliminate vocal fatigue, and get the absolute best results in your voice!
I’ve met so many worship vocalists who want so badly to sing on their worship team, but they don’t make it past the audition… or they would love the opportunity to lead a song… but they are always put on backup vocals. Or, they’re just not sure why their voice doesn’t “fit” with the other singers on their worship team. Or, maybe you’re a worship pastor and you have vocalists on your team whose voices—although perhaps they sound lovely—don’t blend well with the other vocalists on stage. Maybe you’ve just always wondered… what’s the deal with “classical” and “contemporary”—what does that mean and how are they different?! If you can relate with any of the above, this lesson is for you!